Ah, to be old and a mariner come upon that restful cove,
to be old, cher ami, is a gallant slouching on that chair –
where the final weapon is the chair not love,
some porch of the heart grown insensitive to care.
where the final weapon is the chair not love,
some porch of the heart grown insensitive to care.
This must be the reverie of a changing season;
We never knew quite well how far we had travelled
before we ceased to chant our rising songs:
O we have blanched at the rustle of dried leaves
O we have quaked at the fullness of a street’s silence
O we have hushed at the coyness of echoing eves
O we have known the crag flower’s quintessence!
It is no longer Nara beyond this echo-call.
Where am I? Where are we?
If the morning never becomes an afternoon,
will it always be a waking into a moment
of disfigured song, a dawn of perpetual clocking?
(From Houses are Better Off Without Porches Here
Albert B. Casuga, A Theory of Echoes and Other Poems)
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