A HOMECOMING
Tanqui’s supreme conceit is its dread
Of withering grass in the month of the frogs
When rain, like fingers in the night, tread
The lesions gangrened on a hillock’s carrion,
Carcass of a season mourned
As the briefest of them all.
“The rain is on the hill, the dry pond
Is red with clay, the gods are back!
And so must I --- shadow of a past long gone ---
Weeping, running through these deserted streets,
Crouching now in mud pools of childhood fun
When songs were chanted as songs for the dance.
A dance for the grass! My limbs for the grass!
I must dance for Tanqui’s singed grass!”
He dances hard, his body clean and gleaming,
But Tanqui’s rain is on the ashen hill.
Neither his dancing nor his lusty screaming
Will stop this dreaded withering.
Tanqui’s conceit is stranger still
When songs are sung not for her lads and lasses
But for this stranger who, dying, has come back
To dance for black grass, dance naked
For Tanqui’s withered pantheon grass.
--- ALBERT B. CASUGA
June 2009
Tanqui’s supreme conceit is its dread
Of withering grass in the month of the frogs
When rain, like fingers in the night, tread
The lesions gangrened on a hillock’s carrion,
Carcass of a season mourned
As the briefest of them all.
“The rain is on the hill, the dry pond
Is red with clay, the gods are back!
And so must I --- shadow of a past long gone ---
Weeping, running through these deserted streets,
Crouching now in mud pools of childhood fun
When songs were chanted as songs for the dance.
A dance for the grass! My limbs for the grass!
I must dance for Tanqui’s singed grass!”
He dances hard, his body clean and gleaming,
But Tanqui’s rain is on the ashen hill.
Neither his dancing nor his lusty screaming
Will stop this dreaded withering.
Tanqui’s conceit is stranger still
When songs are sung not for her lads and lasses
But for this stranger who, dying, has come back
To dance for black grass, dance naked
For Tanqui’s withered pantheon grass.
--- ALBERT B. CASUGA
June 2009
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