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ALBERT B. CASUGA, a Philippine-born writer, lives in Mississauga, Ontario, Canada, where he continues to write poetry, fiction, and criticism after his retirement from teaching and serving as an elected member of his region's school board. He was nominated to the Mississauga Arts Council Literary Awards in 2007. A graduate of the Royal and Pontifical University of St. Thomas (now University of Santo Tomas, Manila. Literature and English, magna cum laude), he taught English and Literature (Criticism, Theory, and Creative Writing) at the Philippines' De La Salle University and San Beda College. He has authored books of poetry, short stories, literary theory and criticism. He has won awards for his works in Canada, the U.S.A., and the Philippines. His latest work, A Theory of Echoes and Other Poems was published February 2009 by the University of Santo Tomas Publishing House. His fiction and poetry were published by online literary journals Asia Writes and Coastal Poems recently. He was a Fellow at the 1972 Silliman University Writers Workshop, Philippines. As a journalist, he worked with the United Press International and wrote an art column for the defunct Philippines Herald.

Saturday, July 30, 2011

LITERARY THEORY INFORMING MY WRITING (ARCHIVED POSTS JULY TO OCTOBER 2009)




As a writer, I subscribe to a theory of literature that informs my praxis. To accommodate requests for an accessible and relatively comprehensive view of these, I am posting the dates and titles of discussions posted in this literary blog which I have culled from a book I wrote earlier for my students of Literary  Theory, Literary Criticism, and Creative Writing.

Writing seminar directors are welcome to use these materials as they see fit. A number of seminars in the Philippines, Canada,  and the United States have been announced lately, and I hope these notes will be useful to participants. 

All I require is that their use be acknowledged as teaching materials derived from this literary blog. http://ambitsgambit.blogspot.com/ 

These posts (according to dates) may be accessed as stand-alone articles in the 2009 archives of my literary blog.  They may be used in seminars on a per-day/per-session basis.


July 1, 2009 LANGUAGE OF POETRY: IS POETRY FOR EVERYONE?

July 3, 2009 PART 1: A LITERARY THEORY FOR TEACHING LITERATURE AS A HUMANISTIC DISCIPLINE

July 5, 2009 PART 2: A LITERARY THEORY FOR TEACHING LITERATURE AS A HUMANISTIC DISCIPLINE. What is literary appreciation?

July 6, 2009 PART 3: A LITERARY THEORY FOR TEACHING LITERATURE AS A HUMANISTIC DISCIPLINE: APPROACHES TO LITERARY APPRECIATION  

July 7, 2009  PART 4: AN AESTHETIC THEORY FOR TEACHING LITERATURE AS A HUMANISTIC DISCIPLINE  

July 8, 2009 PART 5. LITERARY THEORY: GUIDE QUESTIONS IN THE APPRECIATION OF FICTION (SHORT STORY, NOVEL, DRAMA) 

July 9, 2009 PART 6: APPRECIATION OF POETRY – A SUMMARY **(See July 1 entry on Language of Poetry for details.) 

July 10, 2009 A THEORY OF ANALYSIS IN LITERARY APPRECIATION: PART 1

July 11, 2009 PART 2: LITERARY (POETRY) ANALYSIS; THE SENSORY-IMPRESSIONISTIC LEVEL (POETRY ANALYSIS: THE SENSORY-IMPRESSIONISTIC LEVEL) 

July 13, 2009 PART 3: LITERARY (POETRY) ANALYSIS: THE COGNITIVE LEVEL  

July 14, 2009 Part 4: LITERARY ANALYSIS (POETRY) THE COGNITIVE LEVEL --- Meaning in the Poem 

July 15, 2009 PART 5: ASSOCIATIVE LEVEL OF LITERARY (POETRY) ANALYSIS APPLIED --- Desert Places: Meaning Analyzed 

July 16, 2009 PART 6: HOW TO ANAYZE A DIFFICULT POEM --- Analyzing A Theory of Echoes: A Practicum 

September 10, 2009 A THEORY OF LITERARY CRITICISM IN AN EMPIRICALLY-BASED APPRECIATION OF LITERATURE: PART I, SECTION 1: CRITICIZING FICTION  

September 11, 2009 PART 2 LITERARY CRITICISM: DISCOVERING THE ARTISTIC PURPOSE AS A BASIS FOR CRITICISM 

September 13, 2009 PART 3 LITERARY CRITICISM: CRITICIZING STYLE IN FICTION  

September 14, 2009 PART 4 LITERARY CRITICISM: FOCUSING ON THE ELEMENTS OF STYLE  

September 15, 2009 PART 5 LITERARY CRITICISM: CRITICIZING TECHNIQUE IN FICTION (What is Technique? What are the Elements of Technique?) 

September 16, 2009 PART 6 LITERARY CRITICISM: CRITICIZING TECHNIQUE (FICTION) --- THE EFFECTIVE POINT OF VIEW  

September 17, 2009 PART 7 LITERARY CRITICISM: CRITICIZING TECHNIQUE (FICTION) --- WHAT IS AN EFFECTIVE PLOT?  

Friday, September 18, 2009 PART 8 LITERARY CRITICISM: CRITICIZING TECHNIQUE IN FICTION --- EFFECTIVE CHARACTERIZATION  

September 19, 2009 PART 9 LITERARY CRITICISM: CRITICIZING TECHNIQUE IN FICTION --- THE EFFECTIVE SCALE AND OTHER TECHNIQUES  

September 21, 2009 LITERARY CRITICISM: A PRACTICUM --- APPLYING THE NORMS --- LITERARY CRITICISM PRACTICUM: A CRITICISM OF E. A. POE'S
"THE CASK OF AMONTILLADO" (PART 1) 

September 22, 2009 PRACTICUM PART 2: CRITICIZING POE'S STYLE IN "AMONTILLADO" (The Plot, Characters, Setting, Language, Symbols) 

September 23, 2009 PRACTICUM 3: CRITICIZING POE'S TECHNIQUE IN "AMONTILLADO"  (Point of View, Order of Actions, Characterization, Scale) 

September 24, 2009 PART 1: CRITICIZING POETRY --- THE ARTISTIC PURPOSE AS A BASIS FOR LITERARY CRITICISM  

September 25, 2009 PART 2: CRITICIZING THE STYLE OF POETRY  

September 26, 2009 PART 3: CRITICIZING THE STYLE OF POETRY --- LINGUISTIC DEVICES (VERBAL ENERGIES)  

September 27, 2009 PART 4: CRITICIZING THE STYLE OF POETRY --- LINGUISTIC DEVICES: Part 4: Criticizing the Style of Poetry --- LITERARY DEVICES (Words Have It) 

September 29, 2009 PART 5: CRITICIZING THE TECHNIQUE OF POETRY  

September 29, 2009 PART 6: CRITICIZING THE TECHNIQUE OF POETRY -- THE ORDER OF STRUCTURAL PARTS  

September 30, 2009 PART 7: MAJOR ART MOVEMENTS THAT INFLUENCED LITERARY STYLE AND TECHNIQUE  (Major Art Movements Which Have Influenced Literary Style and Technique : Realism, Naturalism, Impressionism, Surrealism, and Stream-of-Consciousness) 

October 1, 2009 PART 1: A THEORY OF EVALUATION IN THE APPRECIATION OF LITERATURE.  HOW VALUABLE IS THE PIECE OF LITERATURE TO THE READER? 

October 2, 2009 PART 2: EVALUATION OF LITERATURE --- UNIVERSAL APPROACHES AND VALUES  

October 3, 2009 PART 3: EVALUATION OF LITERATURE --- FORMAL VALUES AND VALUES FROM THE PERSONAL APPROACH



It is expected that seminar participants involve themselves in subsequent creative writing to apply these theories. Writing, of course, is the most eloquent manifestation of informed literary appreciation.

1 comment:

Anonymous said...

Wow!! Great Book!!! How can we purchase one???