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ALBERT B. CASUGA, a Philippine-born writer, lives in Mississauga, Ontario, Canada, where he continues to write poetry, fiction, and criticism after his retirement from teaching and serving as an elected member of his region's school board. He was nominated to the Mississauga Arts Council Literary Awards in 2007. A graduate of the Royal and Pontifical University of St. Thomas (now University of Santo Tomas, Manila. Literature and English, magna cum laude), he taught English and Literature (Criticism, Theory, and Creative Writing) at the Philippines' De La Salle University and San Beda College. He has authored books of poetry, short stories, literary theory and criticism. He has won awards for his works in Canada, the U.S.A., and the Philippines. His latest work, A Theory of Echoes and Other Poems was published February 2009 by the University of Santo Tomas Publishing House. His fiction and poetry were published by online literary journals Asia Writes and Coastal Poems recently. He was a Fellow at the 1972 Silliman University Writers Workshop, Philippines. As a journalist, he worked with the United Press International and wrote an art column for the defunct Philippines Herald.

Monday, October 24, 2011

COME AWAY: POEMS ON WHERE AWAY IS




COME AWAY: THREE POEMS



Throw it away, / we say, but where/ does this directive/ lead. Where is/ away. We know it/ suggests distance/ and removal, that/ the thrown thing/is no longer visible/ or retrievable. --- From “Away” by Hannah Stephenson, The Storialist, 1—20-11

1. Away

It does haunt one’s reverie
like an old melody’s refrain,
it is a way but not away. But
where is away? A memory,
perchance a lingering pain? 

Distance-given right to know
erases world’s away, rebuilds
them only as far as a pebble
skips and skims over eddies
on roiled water: See old faces? 

Etched on beach sand, away
is a heart pierced through
by an arrant arrow called Luv
and a spray of trickling angst
named Will or blood bubbles. 

Or a nodding gran chanting
on her beads wishing shadows
on her walls at sundown might
jump out where they grow tall
and call out: Granny, I’m back! 

Maybe an unreachable land,
then, endlessly dark, no sun
creating rainbows, no showers
lads and lasses run through
naked and free, cold but happy.


2. Monologues

When are you coming back
from the front, son? Sometime
soon, before mom fades away?
Where is this Viet Nam? Iraq?
Afghanistan, Pakistan? Somalia? 

Will you take the midnight train,
Betty, and be home Christmas?
Me and the gang, we will throw
a party at the Metro, wait for you,
gulp suds for every train whistle. 

I guess he will not be around
for my umpteenth birthday, mom.
You invited him, did you not, he
and that woman in Denver? I
just have to wait by the window. 

Is grandpa going fishing with me?
Like last summer, he will drive in
on his old Studebaker, clanking
with a loose tail pipe over cobbles
on our street. Will he? Won’t he? 

I will not be away for a long time,
not too long. Before you know it,
some 10,000 sleeps from now, we
will be bowling again in St. Peter’s
Alley, cracking lightning and thunder.


3. Overture

Come away then, come away, while
we can, let’s run through valleys,
swim the rivers with the catfish,
slalom down those snowbound hills.
Come away, Love, to some place away.



--- Albert B. Casuga
10-24-11


A Photo by Bobby Wong Jr.



2 comments:

Hannah Stephenson said...

I love the confusion of voices in the second section....and the childlike serenity of the ending.

ALBERT B. CASUGA said...

See what a good prompt can do, H? I cannot forget the ring of the word "away" in your poem. Thanks for writing good ones. Cheers.