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ALBERT B. CASUGA, a Philippine-born writer, lives in Mississauga, Ontario, Canada, where he continues to write poetry, fiction, and criticism after his retirement from teaching and serving as an elected member of his region's school board. He was nominated to the Mississauga Arts Council Literary Awards in 2007. A graduate of the Royal and Pontifical University of St. Thomas (now University of Santo Tomas, Manila. Literature and English, magna cum laude), he taught English and Literature (Criticism, Theory, and Creative Writing) at the Philippines' De La Salle University and San Beda College. He has authored books of poetry, short stories, literary theory and criticism. He has won awards for his works in Canada, the U.S.A., and the Philippines. His latest work, A Theory of Echoes and Other Poems was published February 2009 by the University of Santo Tomas Publishing House. His fiction and poetry were published by online literary journals Asia Writes and Coastal Poems recently. He was a Fellow at the 1972 Silliman University Writers Workshop, Philippines. As a journalist, he worked with the United Press International and wrote an art column for the defunct Philippines Herald.

Thursday, May 10, 2012

LUMINOSITY



LUMINOSITY


What/ are the consequences of luminosity. ---Hannah Stephenson, “Liberties”, The Storialist
 


On the canvas, still life remains still,
but for the ravages of neglect and time.
For a little while, movement there will
come from light thrown off like mime
from palpable forms that are frozen
inexorably, dictates of chiaroscuro,
ideographic demands, or even unspoken
meaning jutting out of dashed impasto.


Will their narrative then lend them light
like the moon borrows from the sun?
How luminous will faces shine in sunlight?
Will flowers glow, will river streams run?
When these happen, will all the sparkle
Bound by bastidor* speak or mumble?



---Albert B. Casuga
05-10-12




 

*Bastidor -- frame



Image: Calude Monet's  Still Life

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