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ALBERT B. CASUGA, a Philippine-born writer, lives in Mississauga, Ontario, Canada, where he continues to write poetry, fiction, and criticism after his retirement from teaching and serving as an elected member of his region's school board. He was nominated to the Mississauga Arts Council Literary Awards in 2007. A graduate of the Royal and Pontifical University of St. Thomas (now University of Santo Tomas, Manila. Literature and English, magna cum laude), he taught English and Literature (Criticism, Theory, and Creative Writing) at the Philippines' De La Salle University and San Beda College. He has authored books of poetry, short stories, literary theory and criticism. He has won awards for his works in Canada, the U.S.A., and the Philippines. His latest work, A Theory of Echoes and Other Poems was published February 2009 by the University of Santo Tomas Publishing House. His fiction and poetry were published by online literary journals Asia Writes and Coastal Poems recently. He was a Fellow at the 1972 Silliman University Writers Workshop, Philippines. As a journalist, he worked with the United Press International and wrote an art column for the defunct Philippines Herald.

Friday, January 15, 2016

AN UNSUNG SONG




MY POEM TODAY (January 14, 2006) was prompted by an Aeon Ideas Post on how "It seems paradoxical that sad songs can make people feel good and dissonant music can be pleasurable, but new studies have revealed why. (See earlier post below). This poem is a father's lament that while he will not see his son again, he has powerful remembrances of him that will never go away.


AN UNSUNG SONG


I want to gather the fragments of shadow /they’ve left on the green, the sad, sweet/ imperm...anence of their flickering. ---From “Marks” by Luisa A. Igloria, Via Negativa


On some mountain terraces I had whiled sunsets
away at when young, gleaners stretch their brown
backs at the end of their day’s toil and burst into song:

"I must gather them while green, must gather them.
I must gather them while ripening, must ripen them.
I must gather them on my back before sundown."

Shadows grow tall on the red rocks on my trek home
to join the roister of the hunt, to boil camotes in vats
and cauldrons of goatmeat for the day’s harvest feast.

That night I asked Mag-siya to be mother of my sons,
a long streak of light roamed the skies like a cowlick
on a boy’s forehead, and the night stars swallowed it.

Hayley’s comet was the augur for the war that ripped
through the huts and burnt stilted houses on the terraces
and dashed the dense dreams of delivering baskets

of fruit and rootcrop to my woman on the river washing
stains on the blanket that wrapped our newborn son,
he with the cowlick on his forehead and the howl

of a hunter whose eye for the coypu rushing through
the terrace falls would have been unrivalled in the valley,
would have been the mark of all that was alive and loved.

O, how these shadows torture me now at sundown
when I hold on to trees, leaves, flowers, or roots to trace
that cowlick that burns bright still on my gnarled palms

and echoes still like a hunter’s hallo for the wild boars
culled for the harvest feasts. The shadows are long
in the valley. I have only my unsung songs of that mark.

---- ALBERT B. CASUGA


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